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Mudwick
Georgia, 1905. Some people walk through rooms and feel nothing. Jo Hargrave feels everything.
Three generations of Black women have carried this gift in secret. Practiced in the margins. Died unseen. When Jo learns that a school for practitioners is being built on the very land where her grandmother was enslaved, she goes north without an invitation.
Samuel Whitfield nearly died three times learning what he is. He wants to build a place where no one else has to figure it out alone. The property is beautiful. It's also wrong. Something lives beneath it, older than the plantation, older than the Cherokee who tended it for centuries. Something vast and patient and indifferent to whatever they think they're building on top of it.
To create the school they've dreamed of, Jo and Samuel will have to go down. Through layers of suffering. Through histories that don't want to be disturbed. All the way to whatever's waiting at the bottom.
The question isn't whether they can build something good. It's whether good intentions survive what it costs to build them.
Everafter isn't the world you were told about as a child. It's what happens when the storybook closes and reality sets in. When princes turn out to be tyrants, when fairy godmothers demand payment in more than gratitude, and when the magic that saved you might be the same thing that destroys everything you love.
This is a realm where enchantments leave scars, where curses don't break cleanly, and where happy endings are just pretty lies we tell ourselves to sleep better at night. The kingdoms here are built on foundations of old bargains and older blood. Magic doesn't discriminate between hero and villain because those labels were always more complicated than the simple stories suggested.
Lark sleeps at the edge of camp. Every camp. He's done odd jobs in half a dozen settlements along the migration's edge, never staying long enough for anyone to learn his name. He doesn't think there's anything wrong with him. He's just restless. Bad with people. The kind of person who faces east when everyone else faces west, toward the silence that's swallowing the world one settlement at a time.
Then someone learns his name. A tanner named Ren offers him work, a place at the fire, a reason to stop drifting. For the first time in years, Lark thinks about staying. The pull in his chest disagrees.
The territory ahead has never been mapped. The trees grow too tall and the bark is warm to the touch and someone has been cutting notches into the trunks, marking a trail that leads deeper into a world that doesn't follow the rules of the one behind them. Lark isn't the first person to walk this direction. He might be the first one to find out why.
Imagine waking up in someone else's body. Not your body. Theirs.
You can't move. Can't speak. Can't close your eyes or look away. You're just there, trapped behind someone else's eyes for exactly twelve hours, watching their life unfold like a movie you can't pause.
That's passengering. It happens randomly. No one knows why or when or who. You could passenger into your neighbor. Someone across the world. Your best friend. A complete stranger.
The host has no idea you're there. They go about their day normally while you're screaming in their head, unable to make a sound.
Here's the weird part: you can't see their face. Every time you look in a mirror or catch their reflection, it's blurred. Smudged. Out of focus. Like your brain just refuses to process it. Everything else is crystal clear. Just not their face.
After twelve hours, you snap back to your own body. Always jarring. Always disorienting. You remember what you saw (at least for a while), but the memories fade like dreams. Within weeks, most of it's gone.
Society has rules about this. Don't track down your host. Don't tell them you were there. Don't use what you learned. The social contract depends on everyone keeping the secrets they stole.
Most people follow the rules.
But you saw something. Maybe something beautiful. Maybe something horrible. Maybe something you can't unsee. And you know their name, where they live, where they work. Everything except what they look like.
The face blur protects their identity, but it doesn't protect you from the weight of what you witnessed. It doesn't stop you from wondering if you should break the rules. If you should reach out. If you should report what you saw.
It doesn't stop some people from building entire businesses around tracking hosts down. Or blackmailing them. Or worse.
Welcome to a world where privacy is a myth and everyone's worst moment might have had an audience they'll never recognize.
The Anamnesis left Earth carrying 12,000 people and a mandate to reach the Kepler-442 system in approximately 340 years. It carried everything humanity thought it would need: seed banks, cultural archives, a rotating crew structure designed across generations, and SABLE — the navigation and life support AI that the mission designers described, in documentation nobody takes lightly anymore, as the most sophisticated decision-making system ever constructed.
Some people are born without something. No soul, no inner life, just a perfect replica of human emotion. They smile when you smile. They grieve when you grieve. They never slip up. Society has developed tests to identify them and institutions to deal with them. The Hollowed are considered dangerous. Not because they've done anything, but because of what they might do.
The detection system is thorough and normalized — regular screenings, behavioral assessments, a whole bureaucratic apparatus. People report neighbors, family members, coworkers. A positive identification triggers removal. What happens after removal is handled quietly. The institutions don't publish reports.
Five hundred years ago, Queen Marev the Practical looked at the third succession war in her lifetime and made a decision that her advisors called insane and historians now call inevitable. She abolished bloodline succession entirely. The new law was simple enough to fit on a single page.
Whoever kills the current ruler becomes the ruler. No exceptions. No councils of succession. No regency periods. You kill the king, you are the king. You kill the queen, you are the queen. Full title, full authority, full responsibility. Effective immediately.
She then invited anyone who disagreed to make their argument.
Nobody did.
She ruled for another thirty-one years and died of a fever in her sleep, which remains the single most controversial death in recorded history because it meant her chambermaid, who was holding her hand when she stopped breathing, inherited the largest empire on the continent.
Every 7 years a new cycle begins. That gives you another shot at trying it again or deciding it's time to move forward.
Every cycle you repeat means losing more of yourself.
Every time you advance you have a piece of memory taken.
How you spend those 7 years will determine how the next 200 will go.
What do you do?
1 in 1,000,000 have the ability of saturation. Here are some of their stories.
Some places just feel different. You've probably noticed it yourself. An old hospital that makes your skin crawl even though you can't see anything wrong. Your grandmother's kitchen that wraps around you like a hug the moment you walk in. A battlefield where the air itself feels heavy with something you can't name.
Most people shrug it off. Practitioners don't have that luxury.
In Mudwick's world, magic isn't about wands or spells or chosen ones destined for greatness. It's simpler than that. And messier. Every intense emotion, every death and birth and heartbreak, every moment when someone felt something deeply leaves a residue behind. That residue soaks into places and objects and the land itself. Centuries of human experience, just sitting there, waiting.
Practitioners are the people who can feel it. They can sense what a place holds. Some of them can draw on it, pulling courage from battlefields or focus from libraries or warmth from family homes. A rare few can do even more.
Eli Lawrence is one of these people, but something's off. They don't read places like everyone else. They read people. Touch someone's hand and feel their buried grief. Lock eyes with a stranger and know their secrets. It's been making their life in small-town Ohio pretty much unbearable.
Then someone shows up with answers. A hidden school in Appalachia called Mudwick. A place to learn control. People who understand.
Sounds great, right? Finally somewhere to belong. Finally people who won't flinch when Eli accidentally knows too much.
But Mudwick has history. The families who run the practitioner world have been doing so for generations, and they didn't get that power by asking nicely. There are students who arrive at Mudwick full of potential and leave hollowed out. There's a woman named Miriam destroying sacred places across the country and everyone says she's dangerous. There are teachers with secrets and alliances that go back decades.
The hidden world isn't some magical escape from the regular one. It's got the same problems. Power concentrated in the hands of people who were born with it. Systems that chew up the vulnerable and spit them out. The question of what you do when you discover the institution that promised to help you might have built itself on extraction and exploitation.
Eli just wanted to stop feeling like a freak. What they found instead was a world where feeling too much might be exactly what someone designed them to do.
Eight months ago, I started waking at exactly 3:33 AM. Not around 3:33. Exactly. Down to the second.
For seventeen seconds, my bedroom isn't quite my bedroom anymore. Same layout. Same dimensions. But the details are wrong. Different curtains. A plant by the window I've never owned. A wooden headboard I never bought. And in that bed, another version of me, sleeping peacefully through every visit.
I've catalogued the differences. Filled notebooks with observations. Made peace with my nightly glimpse into a life that's almost mine but not quite.
Then the other me woke up.
Now they're trying to tell me something. Holding up signs I can barely read in the dark. Warning me about a woman I don't remember. Pointing at corners of my room I'm suddenly afraid to look at.
There are gaps in my memory. Three days I can't account for. Photographs of moments I never lived. And a growing certainty that whoever I think I am, the truth is something else entirely.
Something is happening to me at 3:33. Something is happening to the other me too. And a woman in a gray coat seems to know exactly what—even if I've forgotten everything about her.
The seventeen seconds are getting heavier. The other me is getting weaker. And whatever door opens at 3:33 might not keep closing forever.
The world is broken in ways nobody talks about.
Rivers flow the wrong direction. Cities have streets that lead nowhere and buildings that don't quite line up with each other. There are seventeen statues in the central plaza but the plaque says twelve, and the extra five have no names on their pedestals. Old women celebrate holidays nobody else remembers. Sailors know fighting styles that require weapons no one makes anymore. People wake up grieving and can't explain why.
Most folks don't notice. Or they notice and look away. Easier to smooth over the gaps than ask questions that don't have answers.
But the gaps are everywhere once you start looking.
Old maps show coastlines that don't exist. Entire peninsulas, island chains, places that should be there but aren't. The ocean has stretches where the currents run sideways and temperatures change in sharp lines, like someone drew borders in the water. Sailors call these the stitched waters and most won't go near them.
Some people carry scars they don't remember getting. Wounds that appeared overnight, healed already, shaped in patterns that look almost deliberate. Almost like writing.
There's fog that appears without warning. They say it grants wishes. They also say it takes something in return.
The world feels like a house where rooms have been walled over. You can sense the empty spaces behind the plaster. Sometimes you hear echoes from places that aren't supposed to be there.
Something happened. Something big. And almost everyone has forgotten.
Almost.
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