Larkin wakes up first and doesn’t panic.
This surprises her. She opens her eyes, sees concrete walls rising forty feet to a circle of gray sky, and her first thought is just “huh.” Like her brain already accepted this before her consciousness caught up.
The other two are still asleep. One’s maybe sixty, silver hair cropped short, wearing cargo pants and a faded Patagonia fleece. The other’s younger, late twenties probably, with dark skin and box braids, dressed in scrubs covered in cartoon dinosaurs.
Larkin sits up. Takes inventory. She’s in yoga pants and an oversized sweater that says PROPERTY OF BERKELEY ATHLETICS even though she never went to Berkeley and definitely never played sports. Thrift store find. Was. Whatever.
The walls are smooth. The pit is maybe twenty feet across. No ladder. No rope. No obvious exit.
She should be screaming. Should be hyperventilating. Should be doing something other than sitting here calmly cataloging details like she’s writing a trip report.
But she’s not.
The older one wakes next. Blinks. Looks around. Makes eye contact with Larkin.
“Well,” she says. “This is new.”
“Yeah.”
“I’m Sutton.”
“Larkin.”
They shake hands. It’s absurd. Formal introductions in a concrete pit. But somehow it feels right.
The third person wakes up. Looks at both of them. Doesn’t freak out either.
“Okay,” they say. “Okay. This is happening.”
“Apparently,” Sutton says.
“I’m Vesper. They, them.”
“Sutton. She, her.”
“Larkin. She, her.”
Vesper stands up. Walks the perimeter. Touches the wall. Looks up at the sky. Comes back.
“No obvious exit,” they say.
“Nope,” Larkin agrees.
“Anyone remember how they got here?”
Sutton shakes her head. “I was hiking. Solo. Had just stopped for water. Then nothing.”
“I was at work,” Vesper says. “Pediatric ER. End of a twelve-hour shift. Went to my car. Then here.”
“I was in my apartment,” Larkin says. “Making coffee. Then pit.”
They all sit with that for a minute.
“We should probably try yelling,” Sutton says. “See if anyone’s up there.”
“Worth a shot.”
They yell. All three of them. Take turns. Yell together. Nothing comes back except their own voices echoing off concrete.
“Okay,” Vesper says when they’re done. “That didn’t work.”
“No.”
“Should we try to climb?”
Sutton walks to the wall. Presses her palms against it. “Too smooth. No purchase. Even if we boosted each other, we’d get maybe ten feet up before sliding back down.”
“So we’re stuck.”
“Looks like it.”
More silence. Larkin expects someone to lose it. To start crying or raging or demanding answers. But nobody does. They all just sit there processing.
“Anyone thirsty?” Larkin asks.
Vesper does a mental check. “No. That’s weird, right? We should be thirsty.”
“Probably.”
“Anyone have their phone?” Sutton asks.
They all check. Nothing. No phones, no wallets, no keys. Just the clothes they were wearing.
“So we’re definitely in some kind of situation,” Vesper says.
“That’s one way to put it.”
Larkin finds herself smiling despite everything. There’s something almost funny about how calm they’re all being. Like they showed up to the wrong party but decided to stay anyway.
“I vote we don’t panic yet,” Sutton says. “Panic uses energy. We might need that later.”
“Seconded,” Larkin says.
“Agreed,” Vesper adds. “What do we do instead?”
“Get to know each other? Figure out what we’re working with?”
They arrange themselves in a loose triangle. Not too close. Not too far. Just comfortable conversation distance.
“I’m a photographer,” Larkin says. “Freelance. Mostly weddings and portraits. I live alone. No kids. One cat named Brutus who’s probably destroying my apartment right now wondering where I am.”
“I’m a nurse,” Vesper says. “Obviously. Single. Live with two roommates who are definitely not going to notice I’m gone for at least three days. My sister’s going to be pissed though. We had brunch plans tomorrow.”
“Retired,” Sutton says. “Used to be a civil engineer. Divorced fifteen years. Two adult kids who check in maybe once a month. I spend most of my time hiking. This was supposed to be a three-day solo trip in the Sierras.”
“Anyone else finding it weird how calm we’re being?” Larkin asks.
“Extremely weird,” Vesper says.
“Maybe it’s shock,” Sutton offers. “The freakout comes later.”
“Maybe.”
They fall quiet. The pit doesn’t feel oppressive yet. Just strange. Like they’re in a waiting room for something that hasn’t been explained.
Food appears while they’re all awake.
One second there’s nothing. The next there are three protein bars and three water bottles in the center of the pit.
“Okay,” Vesper says slowly. “That’s new.”
Sutton stands up. Approaches carefully. Picks up a bar. Examines it. “Standard protein bar. Sealed package. Bottled water, also sealed.”
“Should we eat it?” Larkin asks.
“I mean, if someone went through the trouble of putting us in a pit and providing food, they probably didn’t poison it. Seems inefficient.”
“Fair point.”
They divide it up. One bar, one bottle each. Sit back down in their triangle.
Larkin unwraps hers. Takes a bite. It tastes like nothing. “Well, it’s food.”
“That’s generous,” Vesper says, chewing. “It’s calories shaped like food.”
“I’ve had worse,” Sutton says. “Backpacking meals are basically this with more sodium.”
They eat in silence. When they’re done, Larkin collects the wrappers and stacks them neatly near the wall.
“Organization,” Sutton says approvingly.
“Seemed better than just throwing them.”
“No judgment. I like it.”
Hours pass. Maybe. Time’s hard to track. The sky doesn’t change. Their bodies don’t give reliable signals.
They talk. Not about the pit. About everything else. Sutton tells stories about bridge construction disasters. Vesper shares ER horror stories that are funny in retrospect but probably weren’t at the time. Larkin talks about the weirdest wedding she ever shot where the groom’s ex showed up in a wedding dress.
It’s almost normal. Except for the concrete walls and the gray sky and the absolute impossibility of the situation.
“We should sleep in shifts,” Sutton suggests eventually. “Just in case something changes.”
“Makes sense,” Vesper agrees. “I can take first watch.”
“You sure? You said you just came off a twelve-hour shift.”
“I’m used to weird hours. I got it.”
Larkin and Sutton settle against opposite walls. Larkin closes her eyes and expects not to sleep. But exhaustion hits fast and hard and pulls her under.
She dreams about Brutus. About her apartment. About her camera. When she wakes up, Sutton’s on watch and Vesper’s asleep.
“Anything happen?” Larkin asks quietly.
“No. Nothing ever happens here.”
“How long was I out?”
“No idea. Sorry.”
Larkin sits up. Joins Sutton. They sit in comfortable silence for a while.
“You doing okay?” Sutton asks.
“I think so. You?”
“Yeah. Surprisingly yeah.” She pauses. “I keep waiting for it to hit me. The fear. The panic. But it’s just not coming.”
“Same.”
“Maybe we’re broken.”
“Or maybe we’re just adapting.”
“That was fast though. We’ve been here, what, a few hours?”
“No idea. Could be a day. Could be three.”
“Right. Time’s fucked.”
They lapse back into silence. It’s not uncomfortable. Just two people existing in the same impossible space.
More cycles pass. They establish a routine without really discussing it. They take turns watching even though nothing ever changes. They divide food evenly when it appears. They keep the wrappers stacked in one area. They do light exercises to keep their bodies from atrophying. They talk.
They don’t fight.
This surprises Larkin most. She keeps waiting for the tension. For someone to snap or get territorial or start making power plays. But it doesn’t happen.
“I think we’re doing okay,” Vesper says one wake cycle.
“Yeah?”
“Yeah. Like, all things considered. We’re trapped in a pit. But we’re not at each other’s throats. That’s something.”
“Low bar,” Sutton says.
“It’s the only bar we’ve got.”
Larkin finds herself agreeing. They’ve settled into this weird equilibrium. Three people who didn’t know each other, thrown into an impossible situation, and somehow managing to just exist together without drama.
“Can I ask something?” Larkin says.
“Sure.”
“Are we okay because we’re actually compatible? Or because we’re all just too tired to fight?”
Sutton considers this. “Does it matter?”
“I think so.”
“Why?”
“Because one is sustainable. The other isn’t.”
Vesper stretches. “I vote we’re compatible. I genuinely like you both. Larkin, you’re funny and organized. Sutton, you’re calm and practical. I think we just got lucky.”
“Lucky,” Sutton repeats. “Interesting word choice for people in a pit.”
“You know what I mean.”
“I do, actually.”
More time passes. They’ve stopped trying to count. Just measure things in sleep cycles and food appearances.
The wrappers stack up. They start making patterns with them. Nothing elaborate. Just arranging them in different configurations. Spirals. Lines. Grids. It’s something to do.
“This is probably what hell is,” Larkin says, staring at their wrapper spiral.
“What, arts and crafts?” Vesper asks.
“No. Being perfectly fine. Having everything you need to survive. Getting along with your cellmates. And still knowing you’re trapped forever.”
Sutton nods slowly. “The comfortable nightmare.”
“Exactly.”
“Could be worse though.”
“Could it?”
“We could be alone. Or with people we hate. Or in pain. This is just boring.”
“Boring forever is its own kind of torture.”
“Maybe. But I’ll take boring over agonizing.”
They sit with that. The wrapper spiral sits with them. The pit contains them all equally.
“I think I’m okay with this,” Vesper says quietly.
Larkin looks at them. “With what?”
“This. Being here. I was so tired before. Work was killing me. Debt. Student loans. Trying to keep up with everyone’s expectations. And now there’s just this. No pressure. No performance. Just existing.”
“That’s concerning,” Sutton says gently.
“Is it? Or is it honest?”
“Can be both.”
Vesper shrugs. “Maybe. But I’m not saying I wanted this. Just that now that I’m here, there’s something almost peaceful about it.”
Larkin understands. She does. The pit has no deadlines. No client emails. No having to smile for people who treat you like a vendor instead of a human. Just three people in a concrete circle with nothing to do except exist.
“I get it,” Larkin says. “But we can’t just give up.”
“Who said anything about giving up?”
“Accepting this feels like giving up.”
“Does it? Or is it just being realistic?”
Sutton interrupts. “We’re not having the acceptance-versus-surrender debate. That’s how groups fall apart.”
“We’re not falling apart,” Vesper says.
“Not yet. Let’s keep it that way.”
They agree to drop it. Move on to other topics. But the question hangs there. The gap between acceptance and surrender. The line between adapting and giving up.
More cycles. More food. More conversations that go nowhere because there’s nowhere to go.
They start sharing deeper things. Regrets. Mistakes. The things they never told anyone because saying them out loud makes them too real.
Larkin talks about the wedding she didn’t go to because she was scared of commitment. How she let someone good slip away because staying was scarier than leaving.
Vesper talks about the patient they lost. The kid. How they still dream about it sometimes. How they chose this job to help people and sometimes you can’t help and that destroys you slowly.
Sutton talks about her kids. How she was a better engineer than a mother. How she built bridges but couldn’t build relationships. How retirement gave her time but also showed her how much time she’d already wasted.
They cry. All of them. At different times. For different reasons. But always with the others there. Not fixing. Just witnessing.
“Thank you,” Larkin says after she’s done crying about the wedding.
“For what?” Vesper asks.
“Being here. Listening. Not judging.”
“That’s just basic human decency.”
“You’d be surprised how rare that is.”
The cycles continue. They maintain their routine. They don’t fight. They don’t fracture. They just exist together in their weird functional equilibrium.
And Larkin realizes the horror isn’t the pit.
The horror is that they’re doing fine.
They’ve adapted. Found peace. Created a small sustainable society with clear boundaries and mutual respect.
And they’re still trapped.
There’s no reward for being good. No prize for cooperation. No escape hatch that opens when you figure out how to coexist peacefully.
Just more pit. Forever pit.
“I think we’re going to be okay,” Sutton says one cycle.
“Yeah,” Vesper agrees.
Larkin wants to argue. Wants to say that being okay in a pit isn’t the same as being okay. But she can’t. Because they are okay. As okay as anyone can be in an impossible situation.
They’ve done everything right.
And it doesn’t matter.
The gray circle of sky doesn’t care. The smooth walls don’t care. The protein bars keep appearing and they keep eating them and time keeps not passing and nothing changes.
They’ve built a tiny civilization based on respect and cooperation and genuine affection.
And they’re still in hell.
Just a comfortable one.
“Hey,” Larkin says.
They both look at her.
“I’m glad it’s you two. If I had to be trapped forever, I’m glad it’s with you.”
“Same,” Vesper says.
“Agreed,” Sutton adds.
They sit together. Three people who figured out how to be human in an inhuman space.
It’s not enough.
But it’s all they have.
And maybe that’s the point.